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From Library Journal
Aldo Leopold's land ethic introduced the concept that healthy communities depend on all living things to coexist in harmony. Scigaj (English, Virginia Polytechnic Inst.) suggests that ecopoems "help us to live our lives by encouraging us to understand, respect, and cooperate with the laws of nature that sustain us." He further differentiates environmental poetry from ecopoetry by identifying the former's reverence of nature and focus on environmental issues while lacking a concentration on nature "as an interrelated series of cyclic feedback systems." Although he concentrates on four American ecopoetsAA.R. Ammons, Wendell Berry, W.S. Merwin, and Gary SnyderAScigaj uses about a third of the book to establish his argument that phenomenology rather than poststructural language theory should be used to define environmental poetry. According to Scigaj, phenomenology recognizes the referential context of literature while poststructural language theory remains hermetically sealed from the quotidian world. The density of the text makes this appropriate for academic collections.ASue Samson, Univ. of Montana Lib., Missoula
Copyright 1999 Reed Business Information, Inc.
Review
"The first book to treat the US's four foremost ecopoets as ecopoets."―Choice
"Scigaj uses his examination of contemporary ecological poetry to mount a direct assault on the way literary theory has been conducted over the past twenty years."―Interdisciplinary Studies in Literature and Environment
"Will join John Elder's Imagining the Earth as the most important contribution to date to the study of contemporary ecopoetry."―Lawrence Buell
"A rich context for our understading the work and persons of A.R. Ammons, Wendell Berry, W.S. Merwin, and Gary Snyder, four outstanding American poets."―Psychological Reports
"Anyone who things that nature poetry is a leftover mode from a bygone era, or that all nature poets are alike, needs to read this book before we have no nature left."―Virginia Quarterly Review
"Urges readers to distinguish between two kinds of poetry in order to set the stage for an epic intellectual and aesthetic battle."―Western American Literature
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